
Relief from a Pulpit with the Symbol of Saint Luke
Master Christophanus or Stephanus (d. 1200)
ca. 1180 · Limestone with lead
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
380 ms. The Metropolitan Museum of Art, Collection API (Open Access)
333 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 229 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief from a Pulpit with the Symbol of Saint Luke
Master Christophanus or Stephanus (d. 1200)
ca. 1180 · Limestone with lead
Cleared · Public Domain
live
Miniature from a Latin Bible: Saint Luke
Unrecorded maker
c. 1100 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi) (d. 1510)
early 1490s · Tempera and gold on wood
Cleared · Public Domain
live
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi) (d. 1510)
ca. 1491–1503(?) · Pen and brown ink, brown wash, traces of black chalk.
Cleared · Public Domain
live
Saint Jerome in His Study
Albrecht Dürer (d. 1528)
1514 · Engraving
Cleared · Public Domain
live
Elements of an Italian Light-Cavalry Armor <i>alla Tedesca</i> (in the German Fashion)
Unrecorded maker
ca. 1510 · Steel, gold, copper alloy, leather
Cleared · Public Domain
live
Saint Jerome Praying
Unrecorded maker
model 16th century (cast 17th century or later) · Copper alloy with gilt obverse and reverse with reddish brown patina; integrally cast suspension loop at the top.
Cleared · Public Domain
live
Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos) (d. 1614)
ca. 1610 · Oil on canvas
Cleared · Public Domain
live
St. Jerome in a Dark Chamber
Rembrandt (Rembrandt van Rijn) (d. 1669)
1642 · Etching, engraving, and drypoint; second of three states
Cleared · Public Domain
live
Cabasset
Unrecorded maker
late 16th–early 17th century · Steel, polychromy, brass
Cleared · Public Domain
live
Saint John the Evangelist
Unrecorded maker
17th century · Boxwood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Orpheus Glances Back at Eurydice after Retreiving her from the Underworld, thus Losing her Forever, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Augustin de Saint-Aubin (d. 1807)
published 1806–22 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.