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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    160 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Miss Tree as Julia in "Two Gentlemen of"12 records

Institutions answered newest-first by record, interleaved

Deity face pendant by an unrecorded maker, The Metropolitan Museum of Art

Deity face pendant

Unrecorded maker

7th–9th century · Jadeite or omphacite, iron ochre

Cleared · Public Domain

live
The MetSimilar
Courtiers in a Rose Garden: A Lady and Two Gentlemen by an unrecorded maker, The Metropolitan Museum of Art

Courtiers in a Rose Garden: A Lady and Two Gentlemen

Unrecorded maker

ca. 1440–50 · Wool warp; wool, silk, metallic weft yarns

Cleared · Public Domain

live
The MetSimilar
Seated goddess holding flowers (Flora?) by an unrecorded maker, The Metropolitan Museum of Art

Seated goddess holding flowers (Flora?)

Unrecorded maker

1550–75 · Bronze

Cleared · Public Domain

live
The MetSimilar
"At the Edge of the River Akutagawa" from the Tales of Ise (Ise monogatari) by Sugimura Jihei, The Metropolitan Museum of Art

"At the Edge of the River Akutagawa" from the Tales of Ise (Ise monogatari)

Sugimura Jihei (d. 1700)

1703 · Monochrome woodblock print; ink on paper

Cleared · Public Domain

live
The MetSimilar
Nécessaire with watch by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire with watch

Unrecorded maker

probably ca. 1745–50 · Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Tobacco box by an unrecorded maker, The Metropolitan Museum of Art

Tobacco box

Unrecorded maker

18th century · Brass

Cleared · Public Domain

live
The MetSimilar
Sampler by Julia Ann Fitch, The Metropolitan Museum of Art

Sampler

Julia Ann Fitch (d. 1818)

1807 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Sampler by Sophia Dyer, The Metropolitan Museum of Art

Sampler

Sophia Dyer

1819 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Miss Tree as Julia in "Two Gentlemen of Verona"

Isaac Robert Cruikshank (d. 1856)

March 1822 · Etching, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Country Life – October Afternoon

Frances Flora Bond Palmer (d. 1876)

1855 · Two-stone lithograph, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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