The Caporali Missal
Bartolommeo Caporali (d. 1503)
1469 · Bound Volume, Ink, tempera and gold on vellum; 400 folios
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
1901 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 3,453 matching records exist across the two collections.
Results for "Missal"12 records
Institutions answered newest-first by record, interleaved
The Gotha Missal
Master of the Boqueteaux
c. 1375 · Bound Volume, ink, tempera, and gold on vellum; blind-tooled leather binding
Cleared · CC0
liveCleveland Museum of ArtSimilar
Single Miniature Excised from a Missal: The Crucifixion
Unrecorded maker
c. 1385–1390 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass)
Master of Otto van Moerdrecht
c. 1440–1450 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Single Leaf from a Missal: The Crucifixion
Nicolò da Bologna (d. 1403)
c. 1390 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Missal: Text (verso)
Unrecorded maker
c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (recto)
Unrecorded maker
c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (recto) and Text (verso)
Unrecorded maker
c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Gradual
Girolamo dai Libri (d. 1555)
c. 1520 · Manuscript, Ink, tempera, and gold on vellum; wood binding
Cleared · CC0
liveCleveland Museum of ArtSimilar
Cutting from a Missal: Initial O with Christ Performing an Exorcism
Matteo da Milano
c. 1520 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Antiphonary
Girolamo da Cremona
c. 1470–80 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Gradual
Girolamo dai Libri (d. 1555)
c. 1520 · Manuscript, Ink, tempera, and gold on vellum; wood binding
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.