
Terracotta biconical spindle-whorl
Unrecorded maker
ca. 1600–1200 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
397 ms. The Metropolitan Museum of Art, Collection API (Open Access)
238 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 56 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta biconical spindle-whorl
Unrecorded maker
ca. 1600–1200 BCE · Terracotta
Cleared · Public Domain
live
Small terracotta biconical spindle-whorl
Unrecorded maker
ca. 1600–1050 BCE · Terracotta
Cleared · Public Domain
live
Terracotta spindle whorl
Unrecorded maker
6th–5th century BCE · Terracotta
Cleared · Public Domain
live
Choir screen from the Cathedral of Valladolid
Rafal Amezúa (d. 1825)
completed ca. 1763 · Iron: gilded and painted; limestone (base)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model Spindle
Unrecorded maker
ca. 1981–1975 B.C. · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model Spindle
Unrecorded maker
ca. 1981–1975 B.C. · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model Spindle
Unrecorded maker
ca. 1981–1975 B.C. · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model Spindle
Unrecorded maker
ca. 1981–1975 B.C. · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model Spindle
Unrecorded maker
ca. 1981–1975 B.C. · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model Spindle
Unrecorded maker
ca. 1981–1975 B.C. · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model Spindle
Unrecorded maker
ca. 1981–1975 B.C. · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Fuseaux" Cabinet
Emile-Jacques Ruhlmann (d. 1933)
ca. 1925 · Macassar ebony, ivory, silk, silvered bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.