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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    277 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 79 matching records exist across the two collections.

Results for "Model Steering Oar"12 records

Institutions answered newest-first by record, interleaved

Tomb chapel of Raemkai: North wall of the entrance corridor by an unrecorded maker, The Metropolitan Museum of Art

Tomb chapel of Raemkai: North wall of the entrance corridor

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Model Steering Oar by an unrecorded maker, The Cleveland Museum of Art

Model Steering Oar

Unrecorded maker

2040–1648 BCE · Funerary Equipment, painted tamarisk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tomb chapel of Raemkai: South wall of the entrance corridor by an unrecorded maker, The Metropolitan Museum of Art

Tomb chapel of Raemkai: South wall of the entrance corridor

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Travelling Boat being Rowed by an unrecorded maker, The Metropolitan Museum of Art

Travelling Boat being Rowed

Unrecorded maker

ca. 1981–1975 B.C. · Wood, paint, gesso, linen twine and linen fabric

Cleared · Public Domain

live
The MetSimilar
Kitchen Tender being Rowed by an unrecorded maker, The Metropolitan Museum of Art

Kitchen Tender being Rowed

Unrecorded maker

ca. 1981–1975 B.C. · Wood, paint, plaster, linen twine and cloth

Cleared · Public Domain

live
The MetSimilar
Model Paddling Boat by an unrecorded maker, The Metropolitan Museum of Art

Model Paddling Boat

Unrecorded maker

ca. 1981–1975 B.C. · Wood, paint, plaster, linen twine, linen fabric

Cleared · Public Domain

live
The MetSimilar
Model Sailboat by an unrecorded maker, The Metropolitan Museum of Art

Model Sailboat

Unrecorded maker

ca. 1981–1975 B.C. · Wood, paint, plaster, linen twine, linen fabric

Cleared · Public Domain

live
The MetSimilar
Model boat by an unrecorded maker, The Metropolitan Museum of Art

Model boat

Unrecorded maker

ca. 1981–1802 B.C. · Plastered and painted wood, linen

Cleared · Public Domain

live
The MetSimilar
Terracotta jug by an unrecorded maker, The Metropolitan Museum of Art

Terracotta jug

Unrecorded maker

ca. 750–600 BCE · Terracotta

Cleared · Public Domain

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The MetSimilar
Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eagle with Outstreched Wings

Suzuki Chōkichi (d. 1919)

late 19th century · Iron, pigment, shakudo, shibuichi, wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bustier

Mugler

1992 · plastic

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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