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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    969 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,448 matching records exist across the two collections.

Results for "Model for an altar"12 records

Institutions answered newest-first by record, interleaved

Project for an Altar by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Project for an Altar

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over graphite underdrawing and ruled construction

Cleared · Public Domain

live
The MetSimilar
Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings) by Master of the Krainburg Altar, The Cleveland Museum of Art

Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings)

Master of the Krainburg Altar (d. 1510)

c. 1500 · Painting, Center: oil on poplar; Wings: oil and gold leaf on poplar panel

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for an Altar by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Design for an Altar

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash over black chalk; framing outlines (arched at top) in brown ink

Cleared · Public Domain

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The MetSimilar
Frame for a Portable Reliquary Icon by an unrecorded maker, The Cleveland Museum of Art

Frame for a Portable Reliquary Icon

Unrecorded maker

1347 · Glass, gilded wood, modeled gesso, verre églomisé, glass cabochons, and relics

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for an Altar by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Design for an Altar

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and gray wash over leadpoint (?)

Cleared · Public Domain

live
The MetSimilar
Statue of Minemheb by an unrecorded maker, The Cleveland Museum of Art

Statue of Minemheb

Unrecorded maker

c. 1391–1353 BCE · Sculpture, granodiorite

Cleared · CC0

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Cleveland Museum of ArtSimilar
Model for an altar by an unrecorded maker, The Metropolitan Museum of Art

Model for an altar

Unrecorded maker

ca. 1700–1730 · Terracotta

Cleared · Public Domain

live
The MetSimilar
Tabernacle Relief with Flanking Angels by Tullio Lombardo, The Cleveland Museum of Art

Tabernacle Relief with Flanking Angels

Tullio Lombardo (d. 1532)

c. 1480–1500 · Sculpture, polychromed marble

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for an Altar by Luigi Vanvitelli, The Metropolitan Museum of Art

Design for an Altar

Luigi Vanvitelli (d. 1773)

1700–1773 · Pen, brown ink, with brush and gray wash, over graphite

Cleared · Public Domain

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The MetSimilar
Dress for an altar figure by an unrecorded maker, The Metropolitan Museum of Art

Dress for an altar figure

Unrecorded maker

third quarter 18th century · Silk, metal bobbin lace

Cleared · Public Domain

live
The MetSimilar
Design for an Altar by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for an Altar

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite with ruled and compass construction; framing outlines in pen and brown ink (recto); ornaments with leadpoint or graphite (verso)

Cleared · Public Domain

live
The MetSimilar
Design for an Altar by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for an Altar

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and dark brown ink over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar

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