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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    438 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    546 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 195 matching records exist across the two collections.

Results for "Modern setting for faience inlay"12 records

Institutions answered newest-first by record, interleaved

Anklet by an unrecorded maker, The Metropolitan Museum of Art

Anklet

Unrecorded maker

ca. 1981–1640 B.C. · Faience

Cleared · Public Domain

live
The MetSimilar
Anklet by an unrecorded maker, The Metropolitan Museum of Art

Anklet

Unrecorded maker

ca. 1981–1640 B.C. · Faience

Cleared · Public Domain

live
The MetSimilar
Reconstruction of a Cavetto Cornice by an unrecorded maker, The Metropolitan Museum of Art

Reconstruction of a Cavetto Cornice

Unrecorded maker

ca. 1386–1347 BCE · Faience, modern plaster and gold paint

Cleared · Public Domain

live
The MetSimilar
Gameboard and Gaming Pieces by an unrecorded maker, The Metropolitan Museum of Art

Gameboard and Gaming Pieces

Unrecorded maker

ca. 1479–1425 BCE · Faience, modern wood

Cleared · Public Domain

live
The MetSimilar
Modern setting for faience inlay by an unrecorded maker, The Metropolitan Museum of Art

Modern setting for faience inlay

Unrecorded maker

ca. 1080–664 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Modern setting for faience inlay

Unrecorded maker

20th century · Gold

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.