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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    646 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    284 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 66 matching records exist across the two collections.

Results for "Mold for Persea Fruit bead"12 records

Institutions answered newest-first by record, interleaved

Mold for Persea Fruit bead by an unrecorded maker, The Metropolitan Museum of Art

Mold for Persea Fruit bead

Unrecorded maker

ca. 1386–1347 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Jewelry Elements for a Broad Collar by an unrecorded maker, The Metropolitan Museum of Art

Jewelry Elements for a Broad Collar

Unrecorded maker

ca. 1347–1330 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Broad Collar by an unrecorded maker, The Metropolitan Museum of Art

Broad Collar

Unrecorded maker

ca. 1347–1330 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Mold for a Persea Fruit Pendant by an unrecorded maker, The Metropolitan Museum of Art

Mold for a Persea Fruit Pendant

Unrecorded maker

ca. 1347–1330 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Mold for a Persea Fruit Pendant by an unrecorded maker, The Metropolitan Museum of Art

Mold for a Persea Fruit Pendant

Unrecorded maker

ca. 1347–1330 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Faience pendant in the form of grapes by an unrecorded maker, The Metropolitan Museum of Art

Faience pendant in the form of grapes

Unrecorded maker

13th–12th century BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at Boscoreale by an unrecorded maker, The Metropolitan Museum of Art

Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at Boscoreale

Unrecorded maker

ca. 50–40 BCE · Fresco

Cleared · Public Domain

live
The MetSimilar
Faience aegis pectoral with lion (?) head by an unrecorded maker, The Metropolitan Museum of Art

Faience aegis pectoral with lion (?) head

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience wadj papyrus column by an unrecorded maker, The Metropolitan Museum of Art

Faience wadj papyrus column

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Terracotta oil lamp by an unrecorded maker, The Metropolitan Museum of Art

Terracotta oil lamp

Unrecorded maker

ca. 175–250 CE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Footed beaker by an unrecorded maker, The Metropolitan Museum of Art

Footed beaker

Unrecorded maker

ca. 1680 · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Candlestick by an unrecorded maker, The Metropolitan Museum of Art

Candlestick

Unrecorded maker

1830–35 · Lacy pressed glass

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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