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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    234 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "Monkey's Recovery I, Number 2"12 records

Institutions answered newest-first by record, interleaved

Ear Spool by an unrecorded maker, The Metropolitan Museum of Art

Ear Spool

Unrecorded maker

450–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Ear Spool by an unrecorded maker, The Metropolitan Museum of Art

Ear Spool

Unrecorded maker

450–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Tupu (pin) by an unrecorded maker, The Metropolitan Museum of Art

Tupu (pin)

Unrecorded maker

1400–1533 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Astronomical table clock by Jeremias Metzger, The Metropolitan Museum of Art

Astronomical table clock

Jeremias Metzger (d. 1602)

1568 · Case and dials: gilded brass; Movement: iron

Cleared · Public Domain

live
The MetSimilar
Cabinet (Fassadenschrank) by an unrecorded maker, The Metropolitan Museum of Art

Cabinet (Fassadenschrank)

Unrecorded maker

early 17th century · Pine, oak, walnut; Hungarian ash, birch, various fruitwoods, walnut, palisander, other woods, partly stained (marquetry veneer); wrought iron,

Cleared · Public Domain

live
The MetSimilar
Clock watch with astronomical dial and sundial by Jan Jansen Bockeltz, The Metropolitan Museum of Art

Clock watch with astronomical dial and sundial

Jan Jansen Bockeltz (d. 1626)

ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Wall clock (cartel) by Etienne LeNoir, The Metropolitan Museum of Art

Wall clock (cartel)

Etienne LeNoir (d. 1739)

ca. 1735–40 · Case: soft-paste porcelain and partly gilded brass; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Nécessaire with watch by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire with watch

Unrecorded maker

probably ca. 1745–50 · Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
The Chinese Emperor by Höchst Manufactory, The Metropolitan Museum of Art

The Chinese Emperor

Höchst Manufactory (d. 1796)

ca. 1766 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monkey's Recovery I, Number 2

Richard Tuttle (d. 9999)

1983 · Painted museum board and plywood, homasote, leather, string, wire and nails

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venus envy : chapters I-IV

Amalia Mesa-Bains (d. 9999)

2022

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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