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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    316 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 298 matching records exist across the two collections.

Results for "Monument–Ruin, near Rome"11 records

Institutions answered newest-first by record, interleaved

Leda and the Swan by Jacques Sarazin, The Metropolitan Museum of Art

Leda and the Swan

Jacques Sarazin (d. 1660)

ca. 1640–50 · White marble

Cleared · Public Domain

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The MetSimilar
The Tomb of Nero by Giovanni Battista Piranesi, The Cleveland Museum of Art

The Tomb of Nero

Giovanni Battista Piranesi (d. 1778)

1747–48 · Print, etching with engraving and drypoint

Cleared · CC0

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Cleveland Museum of ArtSimilar
Monument–Ruin, near Rome by Richard Cooper II, The Metropolitan Museum of Art

Monument–Ruin, near Rome

Richard Cooper II (d. 1822)

1774–75 · Counterproof of an iron gall ink drawing, with graphite

Cleared · Public Domain

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The MetSimilar
Ruin–Monument, near Rome by Richard Cooper II, The Metropolitan Museum of Art

Ruin–Monument, near Rome

Richard Cooper II (d. 1822)

1774–75 · Pen and iron gall ink over graphite

Cleared · Public Domain

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The MetSimilar
Ruined monument near Rome (Smaller Italian sketchbook, leaf 5 recto) by Joseph Wright (Wright of Derby), The Metropolitan Museum of Art

Ruined monument near Rome (Smaller Italian sketchbook, leaf 5 recto)

Joseph Wright (Wright of Derby) (d. 1797)

1774–75 · Brush and gray and yellow ink wash or watercolor, over graphite

Cleared · Public Domain

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The MetSimilar
Torre dei Schiavi, The Roman Campagna (from Cropsey Album) by Jasper Francis Cropsey, The Metropolitan Museum of Art

Torre dei Schiavi, The Roman Campagna (from Cropsey Album)

Jasper Francis Cropsey (d. 1900)

1853 · Graphite, white gouache, and brown and gray ink washes on dark buff wove paper

Cleared · Public Domain

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The MetSimilar
Girgenti (The Temple of Juno Lacinia at Agrigentum) by William Stanley Haseltine, The Metropolitan Museum of Art

Girgenti (The Temple of Juno Lacinia at Agrigentum)

William Stanley Haseltine (d. 1900)

1881 · Watercolor, gouache, and graphite on blue paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partie des Aqueducs de Neron prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple de Minerve Medica prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ancien Temple de la Déesse de la Toux auprès de Tivoli, plate 2 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Dominico Montagu

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from the Colosseum toward the Palatine

German Painter

1830 · Oil on paper, laid down on cardboard

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.