
Celt pendant
Greater Nicoya or Central region artitst(s)
1–500 CE · Jadeite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
220 ms. The Metropolitan Museum of Art, Collection API (Open Access)
7 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Celt pendant
Greater Nicoya or Central region artitst(s)
1–500 CE · Jadeite
Cleared · Public Domain
live
Figure-celt pendant
Greater Nicoya or Central region artitst(s)
1–700 CE · Jadeite
Cleared · Public Domain
live
Design for the Tomb of Pope Julius II della Rovere
Michelangelo Buonarroti (d. 1564)
1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint
Cleared · Public Domain
live
Lion (one of a pair)
Johann Gottlieb Kirchner (d. 1738)
ca. 1732 · Hard-paste porcelain
Cleared · Public Domain
live
Capriccio with St. Paul's and Old London Bridge
Antonio Joli (d. 1777)
ca. 1745 · Oil on canvas
Cleared · Public Domain
live
View of Bad Schandau at the River Elbe with the Winterberg
Adrian Zingg (d. 1816)
late 18th–early 19th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
Hyde Park
Johann Hermann Carmiencke (d. 1867)
1856 · Graphite and white gouache on brown wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recueil de Paysages par Sandby
Paul Sandby (d. 1809)
1750–65 (or later) · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moonlit View of the River Elbe at Dresden
Johan Christian Dahl (d. 1857)
1826 · Oil on paper, laid down on wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Central Park (Winter)
Julius Bien (d. 1909)
1865 · Lithograph, printed in colors
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.