Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    363 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    429 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 201 matching records exist across the two collections.

Results for "Moorish horseman in profile facing left,"12 records

Institutions answered newest-first by record, interleaved

Head of a Man in Profile Facing to the Left by Leonardo da Vinci, The Metropolitan Museum of Art

Head of a Man in Profile Facing to the Left

Leonardo da Vinci (d. 1519)

1490–94 · Pen and brown ink, over soft black chalk

Cleared · Public Domain

live
The MetSimilar
The Head of a Woman in Profile Facing Left by Giovanni Antonio Boltraffio, The Metropolitan Museum of Art

The Head of a Woman in Profile Facing Left

Giovanni Antonio Boltraffio (d. 1516)

1490–1500 · Silverpoint and leadpoint, highlighted with white gouache, on pale blue-gray (indigo) prepared paper. Media tested by the Department of Scientific Research, The Metropolitan Museum of Art, with x-ray fluorescence spectroscopy (XRF) and fiber optics reflectance spectroscopy (FORS); October 1, 2019.

Cleared · Public Domain

live
The MetSimilar
A Lion in Profile Facing to the Left ("Leo") by Giulio Romano, The Metropolitan Museum of Art

A Lion in Profile Facing to the Left ("Leo")

Giulio Romano (d. 1546)

n.d. · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
A Greyhound in Profile Facing Left by Virgil Solis, The Metropolitan Museum of Art

A Greyhound in Profile Facing Left

Virgil Solis (d. 1562)

1549 · Pen and brown ink over graphite

Cleared · Public Domain

live
The MetSimilar
Two youths in profile to left with two grotesque heads facing each other below by Wenceslaus Hollar, The Metropolitan Museum of Art

Two youths in profile to left with two grotesque heads facing each other below

Wenceslaus Hollar (d. 1677)

1644–52 · Etching; only state

Cleared · Public Domain

live
The MetSimilar
Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from "Figures on Horseback" (Cavaliers nègres, polonais et hongrois) by Stefano della Bella, The Metropolitan Museum of Art

Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from "Figures on Horseback" (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

ca. 1648–53 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Moorish horseman in profile facing right, a black slave holding a fur at right, another horseman to left in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) by Stefano della Bella, The Metropolitan Museum of Art

Moorish horseman in profile facing right, a black slave holding a fur at right, another horseman to left in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

ca. 1651 · Etching

Cleared · Public Domain

live
The MetSimilar
Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) by Stefano della Bella, The Metropolitan Museum of Art

Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

ca. 1651 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Procession of Six Horsemen in Profile View Facing Left by Stefano della Bella, The Metropolitan Museum of Art

Procession of Six Horsemen in Profile View Facing Left

Stefano della Bella (d. 1664)

1610–64 · Pen and brown ink over traces of graphite; traces of framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Unidentified profile portrait, man facing left by Anonymous, German, The Metropolitan Museum of Art

Unidentified profile portrait, man facing left

Anonymous, German (d. 2050)

1773–1820 · Cut black paper silhouette

Cleared · Public Domain

live
The MetSimilar
Unidentified profile portrait, woman facing left by Anonymous, German, The Metropolitan Museum of Art

Unidentified profile portrait, woman facing left

Anonymous, German (d. 2050)

1773–1820 · Cut black paper silhouette

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moorish horseman in profile facing left, a black slave holding a fur at left, another horseman to right in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

n.d. · Etching; reverse copy

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.