Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    516 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 207 matching records exist across the two collections.

Results for "Moorish horseman in profile facing right"12 records

Institutions answered newest-first by record, interleaved

Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from "Figures on Horseback" (Cavaliers nègres, polonais et hongrois) by Stefano della Bella, The Metropolitan Museum of Art

Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from "Figures on Horseback" (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

ca. 1648–53 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Moorish horseman in profile facing right, a black slave holding a fur at right, another horseman to left in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) by Stefano della Bella, The Metropolitan Museum of Art

Moorish horseman in profile facing right, a black slave holding a fur at right, another horseman to left in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

ca. 1651 · Etching

Cleared · Public Domain

live
The MetSimilar
Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) by Stefano della Bella, The Metropolitan Museum of Art

Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

ca. 1651 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Girl carrying a cushion, seen in profile facing right by Guido Reni, The Metropolitan Museum of Art

Girl carrying a cushion, seen in profile facing right

Guido Reni (d. 1642)

1590–1690 · Etching

Cleared · Public Domain

live
The MetSimilar
Girl carrying a cushion, seen in profile facing right by Guido Reni, The Metropolitan Museum of Art

Girl carrying a cushion, seen in profile facing right

Guido Reni (d. 1642)

1590–1690 · Etching

Cleared · Public Domain

live
The MetSimilar
Girl carrying a cushion, seen in profile facing right by Guido Reni, The Metropolitan Museum of Art

Girl carrying a cushion, seen in profile facing right

Guido Reni (d. 1642)

1590–1690 · Etching

Cleared · Public Domain

live
The MetSimilar
Girl carrying a cushion, seen in profile facing right by Guido Reni, The Metropolitan Museum of Art

Girl carrying a cushion, seen in profile facing right

Guido Reni (d. 1642)

ca. 1590–1690 · Etching

Cleared · Public Domain

live
The MetSimilar
Bust of a man in profile, facing right by Baron Dominique Vivant Denon, The Metropolitan Museum of Art

Bust of a man in profile, facing right

Baron Dominique Vivant Denon (d. 1825)

1818 · Lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Mexican woman in profile facing right

José Clemente Orozco (d. 1949)

1929 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

'Indian Man': head in profile facing right

Jean Charlot (d. 1979)

1949 · Colour lithograph on stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunscape (man in profile facing right)

Sergio Gonzalez Tornero (d. 2020)

1965 · Etching andaquatint (in orange)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moorish horseman in profile facing left, a black slave holding a fur at left, another horseman to right in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)

Stefano della Bella (d. 1664)

n.d. · Etching; reverse copy

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.