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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    403 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,133 matching records exist across the two collections.

Results for "More than once, while leaving the masked"12 records

Institutions answered newest-first by record, interleaved

Marble fragment of a volute krater by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of a volute krater

Unrecorded maker

1st–2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Scholars of the Liuli Hall by Unidentified artist, The Metropolitan Museum of Art

Scholars of the Liuli Hall

Unidentified artist

late 13th century · Handscroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Young Woman with a Pink by Hans Memling, The Metropolitan Museum of Art

Young Woman with a Pink

Hans Memling (d. 1494)

ca. 1485–90 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
A Group of Mosaic Tilework Fragments by an unrecorded maker, The Metropolitan Museum of Art

A Group of Mosaic Tilework Fragments

Unrecorded maker

last quarter 15th century · Stonepaste; polychrome glazed tiles, set into clay

Cleared · Public Domain

live
The MetSimilar
Bamboo and the Thousand-Character Classic by Zhan Jingfeng, The Metropolitan Museum of Art

Bamboo and the Thousand-Character Classic

Zhan Jingfeng (d. 1602)

1599 · Handscroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Pendant in the Form of a Cross by an unrecorded maker, The Metropolitan Museum of Art

Pendant in the Form of a Cross

Unrecorded maker

probably late 16th century · Enameled gold

Cleared · Public Domain

live
The MetSimilar
Cabinet on stand by Jan van Mekeren, The Metropolitan Museum of Art

Cabinet on stand

Jan van Mekeren (d. 1733)

ca. 1700–1710 · Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods

Cleared · Public Domain

live
The MetSimilar
More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals" by J. J. Grandville, The Metropolitan Museum of Art

More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"

J. J. Grandville (d. 1847)

ca. 1837–47 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
[The Ascent of Mont Blanc] by Auguste-Rosalie Bisson, The Metropolitan Museum of Art

[The Ascent of Mont Blanc]

Auguste-Rosalie Bisson (d. 1900)

1861 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Poling the Marsh Hay by Peter Henry Emerson, The Metropolitan Museum of Art

Poling the Marsh Hay

Peter Henry Emerson (d. 1936)

1886 · Platinum print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ngontang (young white girl) helmet mask

Betsi-Fang artist

Second half of 19th century · Wood, pigment, kaolin

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Imina Samana (Samana warrior face mask)

Dogon artist

First half of 20th century · Wood, pigment, iron

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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