Sculpture of Moses with Tablets of the Law
Unrecorded maker
ca. 1170 · Limestone, polychromy
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
182 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
298 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 89 matching records exist across the two collections.
Results for "Moses Receiving the Tablets of the Law"12 records
Institutions answered newest-first by record, interleaved
Moses Receiving the Law, illustration from a "Biblia Pauperum" blockbook, fourth edition
Anonymous, Netherlandish, 15th century (d. 1500)
ca. 1465 · Woodcut printed in brown ink, with hand-coloring
Cleared · Public Domain
liveThe MetSimilar
Moses presenting the tablets of law
Valentin Bousch (d. 1541)
1532 · Stained glass
Cleared · Public Domain
liveThe MetSimilar
The Prophet Moses
Valentin Bousch (d. 1541)
1533 · Stained glass
Cleared · Public Domain
liveThe MetSimilar
Moses with the Tables of the Law
Jacques de Gheyn II (d. 1629)
1600 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Moses receiving the tablets of the law on Mount Sinai, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli (d. 1700)
1650–70 · Etching
Cleared · Public Domain
liveThe MetSimilar
Moses and the Tablets of the Law
Bartolomeo Terchi (d. 1753)
ca. 1720 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
liveThe MetSimilar
Moses receiving the Tablets of the Law from God who descends from the heavens; from the series of 112 prints of the sacred history, after the painting by Mattia Preti
Pietro Monaco (d. 1772)
ca. 1730–39 · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses Holding the Tablets of the Law, title page from "The Ten Commandments"
Maerten de Vos (d. 1603)
ca. 1586 · Engraving; first state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses Receiving the Tablets of the Law
Orazio Borgianni (d. 1616)
ca. 1616 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses Showing the Tablets of the Law
Orazio Borgianni (d. 1616)
ca. 1616 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses breaking the tablets of the law
Nicolas Cochin (d. 1686)
17th century · Engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.