Study of a Young Woman in Three-quarter Bust-Length
Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)
ca. 1540–42 · Black chalk
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1741 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
300 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 45 matching records exist across the two collections.
Results for "Moses Views the Promised Land, from "Dal"12 records
Institutions answered newest-first by record, interleaved
Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock
Giulio Bonasone (d. 1576)
1560 · Engraving
Cleared · Public Domain
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Sampler
Sarah Lawrence (d. 9999)
1768 · Silk embroidery on linen
Cleared · Public Domain
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Moses Shown the Promised Land
Benjamin West (d. 1820)
1801 · Oil on wood
Cleared · Public Domain
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New York from Weehawk
William Guy Wall (d. 1864)
ca. 1820–23 · Watercolor and graphite on off-white wove paper
Cleared · Public Domain
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Central Park (Summer)
Julius Bien (d. 1909)
1865 · Lithograph, printed in colors
Cleared · Public Domain
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Moses Views the Promised Land, from "Dalziels' Bible Gallery"
Frederic, Lord Leighton (d. 1896)
ca. 1862–81 · Wood engraving on India paper, mounted on thin card
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ravenswood, Long Island near Halletts Cove [right half of print]
Nathaniel Currier (d. 1888)
1836 · Lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ravenswood, Long Island, near Halletts Cove [left half of print]
Nathaniel Currier (d. 1888)
1836 · Lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panorama des Champs-Elysées
A. Provost (d. 1855)
ca. 1845–50 · Lithograph printed in black ink with additional tone printing in light ochre
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Stairway and Colonnade, Savannah, Georgia]
Walker Evans (d. 1975)
February–March 1935 · Film negative
In copyright
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