Moses and the Burning Bush and the Coming of the Three Kings
Hans Reinhart the Elder (d. 1581)
1538 · Silver gilt
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
144 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
303 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35 matching records exist across the two collections.
Results for "Moses and the Burning Bush"12 records
Institutions answered newest-first by record, interleaved
Moses and the burning bush
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1544–47 · Etching
Cleared · Public Domain
liveThe MetSimilar
Moses and the Burning Bush
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1544–48 · Etching
Cleared · Public Domain
liveThe MetSimilar
Landscape with Moses and the Burning Bush
Domenichino (Domenico Zampieri) (d. 1641)
1610–16 · Oil on copper
Cleared · Public Domain
liveThe MetSimilar
Moses Before the Burning Bush
Claude Mellan (d. 1688)
1663 · Engraving; first state of two
Cleared · Public Domain
liveThe MetSimilar
Moses and the Burning Bush
Gerard Hoet (d. 1733)
n.d. · Pen and point of brush and ink, brush and gray wash, heightened with white; framing lines in pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 16a: Moses and the Burning Bush; God appearing to Moses in the shape of a burning bush on the right; a landscape in the background
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–50 · Etching and drypoint; retouched in pen and ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and the Burning Bush
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1544–47 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and the Burning Bush
Orazio Borgianni (d. 1616)
ca. 1616 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and the Burning Bush
Orazio Borgianni (d. 1616)
ca. 1616 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and the Burning Bush
Francesco Bartolozzi (d. 1815)
1758 · Engraving and etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and the Burning Bush (Exodus 3:1–6)
Anonymous, British, 19th century (d. 1900)
after 1833 · Mixed media engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.