Mourning Mary
Unrecorded maker
c. 1710–40 · Sculpture, stone with traces of original color
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
481 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 15 matching records exist across the two collections.
Results for "Mourning Mary"12 records
Institutions answered newest-first by record, interleaved
Mourning Virgin from a Crucifixion Group
Unrecorded maker
about 1620/40 · Sculpture, pearwood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mary Walker Waugh
William Holman Hunt (d. 1910)
1868 · Painting, oil on fabric
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mater Dolorosa (The Virgin Mary Mourning)
Georges-Daniel de Monfreid (d. 1929)
1897 · Painting, painted plaster and wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Virgin
Unrecorded maker
c. 1240–1260 · Sculpture, painted wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Mary, Probably from an Altar Cross
Unrecorded maker
1200–1300 · Sculpture, gilded bronze
Cleared · CC0
liveCleveland Museum of ArtSimilar
Descent from the Cross
Adam Lenckhardt (d. 1661)
1653 · Sculpture, ivory
Cleared · CC0
liveCleveland Museum of ArtSimilar
Crucifix
Unrecorded maker
late 1800s-early 1900s · Sculpture, Copper alloy, wood, upholstery studs, and iron alloy
Cleared · CC0
liveCleveland Museum of ArtSimilar
Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus
Unrecorded maker
1145–1165 · Sculpture, quartz sandstone with traces of polychromy
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Passion: The Entombment
Martin Schongauer (d. 1491)
c. 1480 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Face Mask with Female Figure (satimbe)
Unrecorded maker
early to mid-1900s · Mask, Wood and organic materials
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Crucifixion with Four Angels
Martin Schongauer (d. 1491)
c. 1475 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.