Mr. Garrick in Hamlet, Act 1, Scene 4
James McArdell (d. 1765)
November 1, 1754 · Mezzotint
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
326 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
339 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Results for "Mr. Garrick in Hamlet, Act 1, Scene 4"10 records
Institutions answered newest-first by record, interleaved
Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1)
James McArdell (d. 1765)
1761 · Mezzotint; second state
Cleared · Public Domain
liveThe MetSimilar
Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in th Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4)
John Raphael Smith (d. 1812)
March 1, 1774 · Mezzotint; third state of three
Cleared · Public Domain
liveThe MetSimilar
Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in the Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4)
John Raphael Smith (d. 1812)
March 1, 1774 · Mezzotint; second state of two
Cleared · Public Domain
liveThe MetSimilar
Hamlet Tries To Follow His Father's Ghost
Eugène Delacroix (d. 1863)
1835 · Lithograph; second state of four
Cleared · Public Domain
liveThe MetSimilar
Hamlet and the Ghost of his Father
Adam Vogler (d. 1856)
mid-19th century · Pen and gray ink, over graphite; double framing lines in pen and gray ink
Cleared · Public Domain
liveThe MetSimilar
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4)
Robert Thew (d. 1802)
first published 1796; reissued 1852 · Stipple engraving; fourth state of four
Cleared · Public Domain
liveThe MetSimilar
"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3)
Théodore Chassériau (d. 1856)
etched 1844, reprinted 1900 · Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
History of the Westminster Election, Containing Every Material Occurence, From Its Commencement on the First of April, to the Final Close of the Poll, on the 17th of May
Thomas Rowlandson (d. 1827)
1785 · Illustrations: etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 1
Edward Gordon Craig (d. 1966)
1898 · Illustrations: woodcuts, some hand-colored
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.