Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2622 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    427 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Mrs. Bundle in a Rage or too late for th"12 records

Institutions answered newest-first by record, interleaved

Jar with geometric designs by an unrecorded maker, The Metropolitan Museum of Art

Jar with geometric designs

Unrecorded maker

ca. 5300–4300 BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
Book Box by an unrecorded maker, The Metropolitan Museum of Art

Book Box

Unrecorded maker

15th century · Cuir bouilli (tooled leather), polychromy

Cleared · Public Domain

live
The MetSimilar
Study of a Young Woman in Three-quarter Bust-Length by Bronzino (Agnolo di Cosimo di Mariano), The Metropolitan Museum of Art

Study of a Young Woman in Three-quarter Bust-Length

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

ca. 1540–42 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of an eagle by an unrecorded maker, The Metropolitan Museum of Art

Automaton clock in the form of an eagle

Unrecorded maker

ca. 1630 · Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron

Cleared · Public Domain

live
The MetSimilar
Sampler by Margret Barber, The Metropolitan Museum of Art

Sampler

Margret Barber

1661–63 · Linen worked with silk and linen thread: reticella, double running, eye, cross, satin, and Gobelin stitches

Cleared · Public Domain

live
The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Settee (one of a pair) (part of a set) by Johann Michael Bauer, The Metropolitan Museum of Art

Settee (one of a pair) (part of a set)

Johann Michael Bauer (d. 1779)

ca. 1763–64 · Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)

Cleared · Public Domain

live
The MetSimilar
Settee (one of a pair) (part of a set) by Johann Michael Bauer, The Metropolitan Museum of Art

Settee (one of a pair) (part of a set)

Johann Michael Bauer (d. 1779)

ca. 1763–64 · Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)

Cleared · Public Domain

live
The MetSimilar
Flintlock Longrifle by George Schreyer, Sr., The Metropolitan Museum of Art

Flintlock Longrifle

George Schreyer, Sr. (d. 1819)

ca. 1770 · Wood (maple), steel, iron, brass

Cleared · Public Domain

live
The MetSimilar
Mrs. Bundle in a Rage or too late for the Stage by Thomas Rowlandson, The Metropolitan Museum of Art

Mrs. Bundle in a Rage or too late for the Stage

Thomas Rowlandson (d. 1827)

July 1, 1809 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Mrs. Bundle in a Rage or too late for the Stage by Thomas Rowlandson, The Metropolitan Museum of Art

Mrs. Bundle in a Rage or too late for the Stage

Thomas Rowlandson (d. 1827)

[July 1, 1809], copy after · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Table clock with calendar by Lucien Falize, The Metropolitan Museum of Art

Table clock with calendar

Lucien Falize (d. 1897)

1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.