
Matthew Clarkson
Samuel Lovett Waldo (d. 1861)
1823 · Oil on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1075 ms. The Metropolitan Museum of Art, Collection API (Open Access)
302 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 29 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Matthew Clarkson
Samuel Lovett Waldo (d. 1861)
1823 · Oil on wood
Cleared · Public Domain
live
Mrs. Samuel L. Waldo
Samuel Lovett Waldo (d. 1861)
ca. 1826 · Oil on wood
Cleared · Public Domain
live
Henry La Tourette de Groot
Samuel Lovett Waldo (d. 1861)
1825–30 · Oil on wood
Cleared · Public Domain
live
John A. Sidell
John Vanderlyn (d. 1852)
ca. 1830 · Oil on canvas
Cleared · Public Domain
live
Edward Kellogg
Samuel Lovett Waldo (d. 1861)
1831–32 · Oil on wood
Cleared · Public Domain
live
Mrs. Edward Kellogg
Samuel Lovett Waldo (d. 1861)
1831–32 · Oil on wood
Cleared · Public Domain
live
The Knapp Children
Samuel Lovett Waldo (d. 1861)
ca. 1833–34 · Oil on canvas
Cleared · Public Domain
live
Proposed Monument to John L. Carey of Baltimore
Samuel B. Wetherald (d. 1900)
1852–54 · Pen and ink, wash
Cleared · Public Domain
live
Cased Colt Model 1862 Police Revolver, Serial no. 9174, with Thuer Conversion for Self-contained Cartridges, and Accessories
Samuel Colt (d. 1862)
1862 · Steel, gold, silver, brass, wood (rosewood), textile
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Boston Monthly Magazine
Samuel L. Knapp (d. 1900)
June 1825–May 1826 · Illustrations: engraving, lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bridge to Babylon
Samuel L. Margolies (d. 1974)
1950 · Etching and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.