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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    943 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    263 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 974 matching records exist across the two collections.

Results for "Mrs. Warren Rogers"12 records

Institutions answered newest-first by record, interleaved

Mrs. Warren Rogers by John Paradise, The Metropolitan Museum of Art

Mrs. Warren Rogers

John Paradise (d. 1833)

ca. 1821 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Mrs. Warren Rogers (Julie Francoise Gabrielle d'Anterroches) by Theodore Lund, The Metropolitan Museum of Art

Mrs. Warren Rogers (Julie Francoise Gabrielle d'Anterroches)

Theodore Lund (d. 1895)

1839 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Warren Rogers by Theodore Lund, The Metropolitan Museum of Art

Warren Rogers

Theodore Lund (d. 1895)

ca. 1839 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Mexicans Travelling in the Desert by Frederick Warren Freer, The Metropolitan Museum of Art

Mexicans Travelling in the Desert

Frederick Warren Freer (d. 1908)

1875 · Graphite and colored wax pencil on tan wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mrs. Warren Norcross (Emma Colburn)

Josiah Johnson Hawes (d. 1901)

late 1850s–70s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Forest clearing

William Harry Warren Bicknell (d. 1947)

1912 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape

William Harry Warren Bicknell (d. 1947)

1912 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

On the Abegona

William Harry Warren Bicknell (d. 1947)

1912 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape

William Harry Warren Bicknell (d. 1947)

1913 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Sylvester Rosa Koehler

William Harry Warren Bicknell (d. 1947)

1912–13 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Street scene, under arches

William Harry Warren Bicknell (d. 1947)

1912–13 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Water scene

William Harry Warren Bicknell (d. 1947)

1912–13 · Etching

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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