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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    404 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Mt. Fuji through Pines"11 records

Institutions answered newest-first by record, interleaved

Narihira's Journey to the East by Rekisentei Eiri, The Metropolitan Museum of Art

Narihira's Journey to the East

Rekisentei Eiri (d. 1801)

late 18th century · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Mt. Fuji through Pines by Kubo Shunman, The Cleveland Museum of Art

Mt. Fuji through Pines

Kubo Shunman (d. 1820)

late 1700s-early 1800s · Painting, hanging scroll, ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Morning after the Snow at Koishikawa in Edo (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Morning after the Snow at Koishikawa in Edo (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Sword Guard (<i>Tsuba</i>) Depicting The Pine Grove at Miho (三保松原図鐔) by an unrecorded maker, The Metropolitan Museum of Art

Sword Guard (<i>Tsuba</i>) Depicting The Pine Grove at Miho (三保松原図鐔)

Unrecorded maker

mid-19th century · Iron, gold, silver-copper alloy (shibuichi), lead

Cleared · Public Domain

live
The MetSimilar
Landscape in the Mist by Utagawa Kunisada, The Metropolitan Museum of Art

Landscape in the Mist

Utagawa Kunisada (d. 1864)

mid-19th century · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Review of Troops at the Aoyama Training Grounds by Utagawa Kunimasa V (Baidō Kokunimasa), The Metropolitan Museum of Art

Review of Troops at the Aoyama Training Grounds

Utagawa Kunimasa V (Baidō Kokunimasa) (d. 1944)

February 1889 · One sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Sword guard (<i>Tsuba</i>) With the Motif of Lǐ Bái Viewing a Waterfall (李白観瀑図鐔) by an unrecorded maker, The Metropolitan Museum of Art

Sword guard (<i>Tsuba</i>) With the Motif of Lǐ Bái Viewing a Waterfall (李白観瀑図鐔)

Unrecorded maker

ca. 1615–1868 · Copper-silver alloy (shibuichi), gold, copper-gold alloy (shakudō), copper

Cleared · Public Domain

live
The MetSimilar

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