
Book of the Dead for the Chantress of Amun, Nauny
Unrecorded maker
ca. 1050 BCE · Papyrus, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
156 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Book of the Dead for the Chantress of Amun, Nauny
Unrecorded maker
ca. 1050 BCE · Papyrus, paint
Cleared · Public Domain
live
Coffin of the Chantress of Amun Ansenmes
Unrecorded maker
ca. 1200–945 BCE · Wood, paste, paint
Cleared · Public Domain
live
Coffin Set of the Chantress of Amun-Re Henettawy
Unrecorded maker
ca. 1000–945 BCE · Wood, gesso, paint, varnish
Cleared · Public Domain
live
Inner Coffin of the Chantress of Amun-Re Henettawy
Unrecorded maker
ca. 1000–945 BCE · Wood, gesso, paint
Cleared · Public Domain
live
Mummy Board of the Chantress of Amun-Re Henettawy
Unrecorded maker
ca. 1000–945 BCE · Gessoed and painted wood
Cleared · Public Domain
live
Outer Coffin of the Chantress of Amun-Re Henettawy
Unrecorded maker
ca. 1000–945 BCE · Wood, gesso, paint, varnish
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scarab finger ring with name of Amun-Re
Unrecorded maker
ca. 1550–1300 BCE · Gold, glazed steatite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inner Coffin of the Singer of Amun, Tiye
Unrecorded maker
ca. 1080–945 BCE · Wood, paint, gesso
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mummy Board of the Singer of Amun-Re, Tiye
Unrecorded maker
ca. 1080–945 BCE · Wood, paint, gesso
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mummy Board of the Singer of Amun Nauny
Unrecorded maker
ca. 1050 BCE · Sycomore wood, mud, glue, stucco, paint, varnish
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mummy board of Djedmutesankh
Unrecorded maker
ca. 1000–945 BCE · Wood, paste, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mummy Board of Menkheperre (C)
Unrecorded maker
ca. 1000–945 BCE · Wood, paste, paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.