
Pair of carved ornaments with the Maize God
Maya artist(s)
400–700 CE · Shell
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
375 ms. The Metropolitan Museum of Art, Collection API (Open Access)
388 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pair of carved ornaments with the Maize God
Maya artist(s)
400–700 CE · Shell
Cleared · Public Domain
live
Bottle with fox head
Moche artist(s)
500–800 CE · Ceramic, slip
Cleared · Public Domain
live
Buddha of Medicine Bhaishajyaguru (Yaoshi fo)
Unrecorded maker
ca. 1319 · Water-based pigment over foundation of clay mixed with straw
Cleared · Public Domain
live
Villa Barbaro, from I quattro libri dell'architettura di Andrea Palladio (Book 2, page 51)
Andrea Palladio (d. 1580)
1570 · Printed book with woodcut illustrations
Cleared · Public Domain
live
Locrian Ajax (Ajax Locrien), from "Les Images ou Tableaux de platte peinture des deux Philostrates Sophistes grecs..."
Thomas de Leu (d. 1620)
1614–15 · Engraving and letterpress
Cleared · Public Domain
live
Plate 13: Cybele in her chariot, drawn by lions; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Johannes Meursius (d. 1699)
1636 · Engraving
Cleared · Public Domain
live
Mural Decorations, from "Illustrated London News"
Pierre Grenier (d. 1892)
April 1, 1876 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Descrizione degli' istromenti armonici d'ogni genere . . .
Filippo Buonanni (d. 1725)
1806 · Printed books, engraved plates
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"History of Navigation" Mural
Jean Dupas (d. 1964)
1934 · Glass, paint, gold, silver, palladium leaf
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salzedo Model Pedal Harp
Lyon & Healy
mid 1940s · Spruce, maple, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.