Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    418 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 131 matching records exist across the two collections.

Results for "Mutius Scaevola placing his hand in the"12 records

Institutions answered newest-first by record, interleaved

Mutius Scaevola placing his hand in the flames (left half of a composition, the right half of which shows a woman extending her right arm towards an altar) by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Mutius Scaevola placing his hand in the flames (left half of a composition, the right half of which shows a woman extending her right arm towards an altar)

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1540 · Etching

Cleared · Public Domain

live
The MetSimilar
Five Figures [Woman Extending her Right Hand Towards an Altar] by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Five Figures [Woman Extending her Right Hand Towards an Altar]

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1540 (?) · Etching

Cleared · Public Domain

live
The MetSimilar
Mutius Scaevola Burning His Hand by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Mutius Scaevola Burning His Hand

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1540 (?) · Etching

Cleared · Public Domain

live
The MetSimilar
Pointed Morion by an unrecorded maker, The Metropolitan Museum of Art

Pointed Morion

Unrecorded maker

ca. 1560–70 · Steel, copper alloy (brass), gold, silver, leather

Cleared · Public Domain

live
The MetSimilar
Mucius Scaevola by Joseph Goupy, The Metropolitan Museum of Art

Mucius Scaevola

Joseph Goupy (d. 1769)

ca. 1755–60 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mucius Scaevola putting his hand in the fire

Antonio da Trento (d. 1550)

ca. 1540–50 · Chiaroscuro woodcut from two blocks in green

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mucius Scaevola thrusting his right hand into the fire

Antonio Campi (d. 1587)

ca. 1550–80 · Woodcut squared in pencil

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mucius Scaevola thrusting his right hand into the fire

Antonio Campi (d. 1587)

1550–80 · Chiaroscuro woodcut printed from two blocks in blue

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mucius Scaevola about to put his hand in the fire

Andrea Andreani (d. 1629)

1608 · Chiaroscuro woodcut from two blocks in green

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 16b: Mucius Scaevola; the Roman youth, left, placing his hand on a fire burning on an altar; a woman on the right extending her hand toward the altar

Anonymous

1550–1650 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variants for a fireplace ornamented with a rectangular painting representing Mucius Scaevola burning his hand, plate 6 from 'Grandes cheminées à la romaine', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

1663 · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mucius Scaevola standing at left and burning his hand in a fire, several men surrounding him, after Polidoro da Caravaggio

Arthur Pond (d. 1758)

1735 · Etching and woodcut in brown ink

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.