
Mutius Scaevola placing his hand in the flames (left half of a composition, the right half of which shows a woman extending her right arm towards an altar)
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
418 ms. The Metropolitan Museum of Art, Collection API (Open Access)
338 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 131 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mutius Scaevola placing his hand in the flames (left half of a composition, the right half of which shows a woman extending her right arm towards an altar)
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching
Cleared · Public Domain
live![Five Figures [Woman Extending her Right Hand Towards an Altar] by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP269584.jpg)
Five Figures [Woman Extending her Right Hand Towards an Altar]
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 (?) · Etching
Cleared · Public Domain
live
Mutius Scaevola Burning His Hand
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 (?) · Etching
Cleared · Public Domain
live
Pointed Morion
Unrecorded maker
ca. 1560–70 · Steel, copper alloy (brass), gold, silver, leather
Cleared · Public Domain
live
Mucius Scaevola
Joseph Goupy (d. 1769)
ca. 1755–60 · Enamel on copper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mucius Scaevola putting his hand in the fire
Antonio da Trento (d. 1550)
ca. 1540–50 · Chiaroscuro woodcut from two blocks in green
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mucius Scaevola thrusting his right hand into the fire
Antonio Campi (d. 1587)
ca. 1550–80 · Woodcut squared in pencil
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mucius Scaevola thrusting his right hand into the fire
Antonio Campi (d. 1587)
1550–80 · Chiaroscuro woodcut printed from two blocks in blue
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mucius Scaevola about to put his hand in the fire
Andrea Andreani (d. 1629)
1608 · Chiaroscuro woodcut from two blocks in green
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 16b: Mucius Scaevola; the Roman youth, left, placing his hand on a fire burning on an altar; a woman on the right extending her hand toward the altar
Anonymous
1550–1650 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a fireplace ornamented with a rectangular painting representing Mucius Scaevola burning his hand, plate 6 from 'Grandes cheminées à la romaine', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
1663 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mucius Scaevola standing at left and burning his hand in a fire, several men surrounding him, after Polidoro da Caravaggio
Arthur Pond (d. 1758)
1735 · Etching and woodcut in brown ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.