
Vessel in the Form of a Horn
Unrecorded maker
ca. 500 BCE–100 CE · Stone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
468 ms. The Metropolitan Museum of Art, Collection API (Open Access)
300 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 178 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vessel in the Form of a Horn
Unrecorded maker
ca. 500 BCE–100 CE · Stone
Cleared · Public Domain
live
Cento Favole Morali (100 moral fables)
Giovanni Maria Verdizotti (d. 1600)
1570 · Printed book with woodcut illustrations
Cleared · Public Domain
live
Saint Jerome in the Wilderness
Annibale Carracci (d. 1609)
ca. 1591 · Etching and engraving
Cleared · Public Domain
live
Design for a Canopy Bed in an Alcove
Anonymous, French, 18th century (d. 1800)
ca. 1770–90 · Pen and black ink, brush and brown and gray wash
Cleared · Public Domain
live
Perseus (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
live
Dancer in the Role of Harlequin
Edgar Degas (d. 1917)
modeled probably ca. 1884–85, cast 1920 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Water Towers of Marfil, Mexico
Samuel Colman (d. 1920)
ca. 1890 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
My Role Has Been Important in the Struggle to Organize the Unorganized, from “The Negro Woman” series
Elizabeth Catlett (d. 2012)
1947 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"The Souper Dress"
Unrecorded maker
1966–67 · paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
High Hopes
Joseph Goldyne (d. 9999)
1989 · Monotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Umutsha (belt)
Zulu or Sotho artist
19th–20th century · Fiber, glass beads, brass beads, leather, basketry, cloth
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Umutsha (belt)
Zulu or Sotho artist
19th–20th century · Cloth, glass beads, leather, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.