
Plate
Unrecorded maker
ca. 1740 · Faience (tin-glazed earthenware)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
745 ms. The Metropolitan Museum of Art, Collection API (Open Access)
778 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 66 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate
Unrecorded maker
ca. 1740 · Faience (tin-glazed earthenware)
Cleared · Public Domain
live
My Soul, from "The Complete Works of Béranger"
Ary Scheffer (d. 1858)
1829 · Intaglio
Cleared · Public Domain
live
My Burial, from "The Complete Works of Béranger"
J. J. Grandville (d. 1847)
1836 · Wood engraving
Cleared · Public Domain
live
My Coat, from "The Complete Works of Béranger"
J. J. Grandville (d. 1847)
1836 · Wood engraving
Cleared · Public Domain
live
My Cure, from "The Complete Works of Béranger"
J. J. Grandville (d. 1847)
1836 · Wood engraving
Cleared · Public Domain
live
Thomas Carlyle
Julia Margaret Cameron (d. 1879)
1867 · Carbon print
Cleared · Public Domain
live
Three Tahitian Women
Paul Gauguin (d. 1903)
1896 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Constellation: Toward the Rainbow
Joan Miró (d. 1983)
1941 · Gouache and oil wash on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large Drawing # 44
Lucas Samaras (d. 2024)
1966 · Graphite with incising and colored pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Despair and Sorrow Have Engulfed my Soul
Dia al-Azzawi
1966–1967 · Ink and metallic paint on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
My Left Hand (Mao)
Sheng Qi (d. 9999)
2000 · Chromogenic print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
My Left Hand: Me (Memories)
Sheng Qi (d. 9999)
2000 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.