Scenes from the Story of David
Unrecorded maker
16th century · Silk on linen
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
172 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
383 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 144 matching records exist across the two collections.
Results for "Nabal's Feast, from "The Story of David"12 records
Institutions answered newest-first by record, interleaved
The Martyrdom of Saint Christopher, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David (d. 1790)
1776 · Etching; second state of two
Cleared · Public Domain
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The Martyrdom of Saint James, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David (d. 1790)
1776 · Etching; second state of two
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nabal's Feast, from "The Story of David, Abigail and Nabal"
Maarten van Heemskerck (d. 1574)
1555 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nabal's Feast, from "The Story of David and Abigail"
Maerten de Vos (d. 1603)
1584–85 · Etching; second state of three
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Belshazzar's Feast, from The Story of Daniel
Johannes van Doetecum I (d. 1605)
1600 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son as a Swineherd, plate 3 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Feasting with Harlots, plate 2 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Leaving His Father's House, plate 1 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's first state of two
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, plate 4 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wedding Feast of Pirithous and Hippodamia, from Johannes van Heemskerck's poem "Publii Ovidii Nasonis Minne-Kunst," probably the first edition of title, frontispiece and eleven plates
David Vinckboons (d. 1629)
1622–1627 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Story of David from Bible Story booklets (W606)
Unrecorded maker
ca. 1941 · Commercial color photolithograph
In copyright
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