
Painted limestone funerary stele with a woman in childbirth
Unrecorded maker
late 4th–early 3rd century BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1030 ms. The Metropolitan Museum of Art, Collection API (Open Access)
301 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,190 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Painted limestone funerary stele with a woman in childbirth
Unrecorded maker
late 4th–early 3rd century BCE · Limestone, paint
Cleared · Public Domain
live
Naked Woman and a Dragon
Allaert Claesz.
1523 · Print, engraving
Cleared · CC0
live
Pricket Candlestick with a Naked Youth Fighting a Dragon
Unrecorded maker
ca. 1140–60 · Gilded copper alloy
Cleared · Public Domain
live
Saint George and the Dragon, the Scourging of Christ and the Last Judgement, with donor figures and armorials
Unrecorded maker
late 16th century · Stained glass
Cleared · Public Domain
live
Disegni Varij di Polifilo Zancarli (Friezes)
Polifilo Giancarli (d. 1625)
ca. 1625 · etching
Cleared · Public Domain
live
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso)
William Hamilton (d. 1801)
1770–80 · Recto: pen and black ink, brush and brown wash and watercolor, over graphite Verso: pen and brown ink and graphite
Cleared · Public Domain
live
Study of a woman and child
Sir Joshua Reynolds (d. 1792)
1745–92 · Black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Naked man standing before naked woman holding a burning bowl and resting foot on a sphere (allegorical figure of Fortune)
Marcantonio Raimondi (d. 1534)
ca. 1506–7 · Engraving; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman of Virginia
Wenceslaus Hollar (d. 1677)
[1644] · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette of a Woman Riding a Dragon with Reptiles Below, from Acajou et Zirphile
Charles Nicolas Cochin II (d. 1790)
1744 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A naked woman laying down, her knees raised
David Alfaro Siqueiros (d. 1974)
1931 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A naked man being a woman, N.Y.C.
Diane Arbus (d. 1971)
1968 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.