Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
224 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 648 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
National Leaders of the Period from Interstate News Service History Cards (W612)
Unrecorded maker
1926 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National School of Fine Arts
Lawrence B. Anderson (d. 2000)
1930 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National School of Fine Arts, elevation
Lawrence B. Anderson (d. 2000)
1930 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National School of Fine Arts, plan
Lawrence B. Anderson (d. 2000)
1930 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National School of Fine Arts, section
Lawrence B. Anderson (d. 2000)
1930 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National Opera House in Washington
Max Abramowitz (d. 1980)
1932 · Graphite, pen and blue and black ink, blue wash heightened with silver
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National Opera House in Washington, elevation
Max Abramowitz (d. 1980)
1932 · Graphite, pen and blue and black ink, blue wash heightened with silver
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National Opera House in Washington, plan
Richard H. Granelli (d. 1996)
1932 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National Banking Board
George M. Frei (d. 1999)
1933 · Graphite, gray and brown wash heightened with gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National Banking Board, elevation
George M. Frei (d. 1999)
1933 · Graphite, gray and brown wash heightened with gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A National Banking Board, plan
George M. Frei (d. 1999)
1933 · Graphite, gray and brown wash heightened with gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architectural Drawings from the Paris Prize Competitions
National Institute for Architectural Education (d. 1999)
1905–40
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.