
Germanicus Habitus, from Fashions of Different Nations
Pieter de Jode I (d. 1634)
n.d. · Engraving; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
522 ms. The Metropolitan Museum of Art, Collection API (Open Access)
866 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 570 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Germanicus Habitus, from Fashions of Different Nations
Pieter de Jode I (d. 1634)
n.d. · Engraving; first state of two
Cleared · Public Domain
live
Habitus Lusitanorum Peculiaris, from Fashions of Different Nations
Pieter de Jode I (d. 1634)
n.d. · Engraving; first state of two
Cleared · Public Domain
live
Nations of Africa ballets
Anonymous, Italian, 17th century (d. 1700)
17th century · Etching
Cleared · Public Domain
live
Nations of America ballets
Anonymous, Italian, 17th century (d. 1700)
17th century · Etching
Cleared · Public Domain
live
Nations of Asia ballets
Anonymous, Italian, 17th century (d. 1700)
17th century · Etching
Cleared · Public Domain
live
Nations of Europe ballets
Anonymous, Italian, 17th century (d. 1700)
17th century · Etching
Cleared · Public Domain
live
Dame Grecque, dans son Apartement, plate 68 from "Recueil de cent estampes représentent differentes nations du Levant"
Jean Baptiste Vanmour (d. 1737)
1714–15 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam Smith, Author of "The Wealth of Nations"
John Kay (d. 1826)
1790 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fancy dress costume
Paul Poiret (d. 1944)
1911 · metal, silk, cotton, plastic (cellulose nitrate)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Russian Ballet in Western Europe 1909–1920
Walter Archibald Propert (d. 1930)
1921 · Illustrations: photomechanical reproductions and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
United Nations Plaza, Midtown East, New York
Thomas Struth (d. 9999)
1978 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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