Design Amulet with Loop on the Back, Device of Two Children shown in Opposite Vertical Orientations
Unrecorded maker
ca. 2100–1950 B.C. · Faience
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
553 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
244 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 530 matching records exist across the two collections.
Results for "Nature (Calmady Children)"11 records
Institutions answered newest-first by record, interleaved
Nature (Calmady Children)
Samuel Arlent-Edwards (d. 1938)
c. 1880–1923 · Print, mezzotint
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design Amulet with Pierced Shank, Device of Squatting Child Facing Right
Unrecorded maker
ca. 2100–2080 B.C. · Faience
Cleared · Public Domain
liveThe MetSimilar
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini) (d. 1669)
ca. 1633 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)
Sir Thomas Lawrence (d. 1830)
1823 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Nature (The Calmady Children)
Samuel Cousins (d. 1887)
1835 · Mezzotint; third (?) state of five
Cleared · Public Domain
liveThe MetSimilar
The Title to the French Set
James McNeill Whistler (d. 1903)
1858 · Etching, printed in black ink on tan chine on off-white wove paper (chine collé); only state (Glasgow)
Cleared · Public Domain
liveThe MetSimilar
Title Page from the "French Set" (Douze Eaux-Fortes d'Après Nature)
James McNeill Whistler (d. 1903)
1858 · Etching on tan chine on off-white wove paper (chine collé); only state (Glasgow)
Cleared · Public Domain
liveThe MetSimilar
Title to the French Set
James McNeill Whistler (d. 1903)
1858 · Etching, printed in black ink on gray chine on off-white wove paper (chine collé); only state (Glasgow)
Cleared · Public Domain
liveThe MetSimilar
Inter artes et naturam (Between Art and Nature)
Pierre Puvis de Chavannes (d. 1898)
ca. 1890–95 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stained Glass Window Design: Christ Blessing the Little Children
Heaton, Butler & Bayne (d. 1953)
1862–1953 · Watercolor, pen and black ink
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.