Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
245 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
La simple comédie ne suffisant plus à l'ambition artiste de Mr. de Boisfumé..., from Les Comédiens de Société, published in Le Charivari, May 11, 1858
Honoré Daumier (d. 1879)
May 11, 1858 · Lithograph on newsprint; second state (Delteil)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Je ne queterai plus... pour les pauvres!..., from Les Philantropes du Jour, published in "Le Charivari"
Honoré Daumier (d. 1879)
February 16, 1845 · Lithograph; second state of two (Delteil)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Plus je te vois, plus je" l'aime, from Les Partageuses, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1851–52 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ne plus m'aimer!, from Les Partageuses, Masques et Visages, plate 2, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1851–52 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plus je te vois, plus je «l'aime», plate IX from "Les Partageuses"
Paul Gavarni [Chevalier] (d. 1866)
October 20, 1852 · Lithograph; second and last state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vous ne m'avez, jamais de la vie, donné qu'un petit chien...., from Les Partageuses, Masques et Visages, plate 5, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1851–52 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Non, je ne tromperai plus!", from Les Invalides du Sentimet, Masques et Visages, plate 1, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; fourth state of four (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dieu! si j'étais née honnête! jamais un homme qui ne m'aurait pas convenu!... ne m'aurait été de rien!, plate XXVI from "Les Partageuses"
Paul Gavarni [Chevalier] (d. 1866)
March 26, 1853 · Lithograph; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Je dis la bonne-aventure depuis que je ne sais plus ce que c'est, from Les Lorettes Vieillies, Masques et Visages, plate 14, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier] (d. 1866)
1852–53 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man at the Café
Juan Gris (d. 1927)
Paris, winter–spring 1914 · Oil and newsprint collage on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.