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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    384 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Near the Coast"11 records

Institutions answered newest-first by record, interleaved

Low Tide at Pourville, near Dieppe, 1882 by Claude Monet, The Cleveland Museum of Art

Low Tide at Pourville, near Dieppe, 1882

Claude Monet (d. 1926)

1882 · Painting, oil on fabric

Cleared · CC0

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Cleveland Museum of ArtSimilar
Villerville Seen from Le Ratier by Charles François Daubigny, The Cleveland Museum of Art

Villerville Seen from Le Ratier

Charles François Daubigny (d. 1878)

1855 · Painting, oil on fabric

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape at Saint-André, Near Marseilles by Paul Guigou, The Cleveland Museum of Art

Landscape at Saint-André, Near Marseilles

Paul Guigou (d. 1871)

c. 1865 · Painting, oil on wood panel

Cleared · CC0

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Cleveland Museum of ArtSimilar
Pair of Arched Fibulae by an unrecorded maker, The Cleveland Museum of Art

Pair of Arched Fibulae

Unrecorded maker

725–675 BCE · Metalwork, bronze

Cleared · CC0

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Cleveland Museum of ArtSimilar
Two-Spouted Strainer Askos (Flask) with Lid by an unrecorded maker, The Cleveland Museum of Art

Two-Spouted Strainer Askos (Flask) with Lid

Unrecorded maker

300–200 BCE · Ceramic, ceramic

Cleared · CC0

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Cleveland Museum of ArtSimilar
Two-Spouted Strainer Askos (Flask) by an unrecorded maker, The Cleveland Museum of Art

Two-Spouted Strainer Askos (Flask)

Unrecorded maker

300–200 BCE · Ceramic, ceramic

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Seine at Bas-Meudon by Johan Barthold Jongkind, The Cleveland Museum of Art

The Seine at Bas-Meudon

Johan Barthold Jongkind (d. 1891)

1865 · Painting, oil on fabric

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Pink Cloud by Henri-Edmond Cross, The Cleveland Museum of Art

The Pink Cloud

Henri-Edmond Cross (d. 1910)

c. 1896 · Painting, oil on canvas

Cleared · CC0

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Cleveland Museum of ArtSimilar
Dish with Tambourine Players by an unrecorded maker, The Cleveland Museum of Art

Dish with Tambourine Players

Unrecorded maker

700–600 BCE · Metalwork, silver, partially gilt

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Botanical Magazine or Flower Garden Displayed:  White Cape - Coast Lily by Sydenham Edwards, The Cleveland Museum of Art

The Botanical Magazine or Flower Garden Displayed: White Cape - Coast Lily

Sydenham Edwards (d. 1819)

1806 · Print, engraving, hand-colored

Cleared · CC0

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Cleveland Museum of ArtSimilar
Totem Pole by an unrecorded maker, The Cleveland Museum of Art

Totem Pole

Unrecorded maker

c. 1880 · Sculpture, carved and painted wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.