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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1547 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 47 matching records exist across the two collections.

Results for "Necklace restrung with amulets and a fai"12 records

Institutions answered newest-first by record, interleaved

Necklace of Gold Ball Beads by an unrecorded maker, The Metropolitan Museum of Art

Necklace of Gold Ball Beads

Unrecorded maker

ca. 1981–1975 B.C. · Gold, linen cord

Cleared · Public Domain

live
The MetSimilar
Necklace of Wah by an unrecorded maker, The Metropolitan Museum of Art

Necklace of Wah

Unrecorded maker

ca. 1981–1975 B.C. · Faience, linen cord

Cleared · Public Domain

live
The MetSimilar
Necklace with disc beads and amulets by an unrecorded maker, The Metropolitan Museum of Art

Necklace with disc beads and amulets

Unrecorded maker

ca. 1550–1425 BCE · Carnelian, gold, silver, faience, glass, yellow stone, tin

Cleared · Public Domain

live
The MetSimilar
Amulets and string of beads by an unrecorded maker, The Metropolitan Museum of Art

Amulets and string of beads

Unrecorded maker

ca. 1386–1347 BCE · Faience, glazed steatite

Cleared · Public Domain

live
The MetSimilar
Necklace with Amulets by an unrecorded maker, The Metropolitan Museum of Art

Necklace with Amulets

Unrecorded maker

ca. 1386–1347 BCE · Faience (green, yellow, grey); glass (violet)

Cleared · Public Domain

live
The MetSimilar
Necklace restrung with amulets and a faience cartouche bead of Tutankhamun by an unrecorded maker, The Metropolitan Museum of Art

Necklace restrung with amulets and a faience cartouche bead of Tutankhamun

Unrecorded maker

ca. 1328–1318 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Necklace by Middle Niger artist, The Metropolitan Museum of Art

Necklace

Middle Niger artist

14th century (?) · Copper alloy (cast), cotton cord

Cleared · Public Domain

live
The MetSimilar
Necklace with Filigree and Beads by an unrecorded maker, The Metropolitan Museum of Art

Necklace with Filigree and Beads

Unrecorded maker

late 18th–early 19th century · Gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

String of beads with jackal and human-head amulets

Unrecorded maker

ca. 2323–2150 BC · Carnelian

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

String of Beads and Amulets

Unrecorded maker

ca. 1850–1775 B.C. · Egyptian Blue, faience, carnelian, feldspar

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Necklace with 6 Taweret amulets

Unrecorded maker

ca. 1000–945 BCE · Linen, breccia

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Necklace

Unrecorded maker

19th–first half 20th century · Silver, coral, enamel

In copyright

live
The MetSimilar

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