
Necklace beads
Unrecorded maker
ca. 2600–2500 BCE · Gold, lapis lazuli
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1319 ms. The Metropolitan Museum of Art, Collection API (Open Access)
255 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 103 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Necklace beads
Unrecorded maker
ca. 2600–2500 BCE · Gold, lapis lazuli
Cleared · Public Domain
live
Gold necklace of beads and tubes
Unrecorded maker
ca. 330–300 BCE · Gold
Cleared · Public Domain
live
Necklace with Claw-Shaped Beads (Magatama)
Unrecorded maker
ca. 7th century · Chalcedony and green jasper
Cleared · Public Domain
live
Necklace with jaguar teeth-shaped beads
Mixtec (Ñuu Savi) artist(s)
1325–1521 CE · Gold
Cleared · Public Domain
live
Necklace with Embellished Amulet Forms
Unrecorded maker
18th century · Gold, precious stones
Cleared · Public Domain
live
Necklace with Filigree and Beads
Unrecorded maker
late 18th–early 19th century · Gold
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.