
Arganonä Maryam (The Organ of Mary) prayer book
Baselyos, also known as "The Ground Hornbill Master" (d. 1700)
late 17th century · Parchment, pigment ink, wood, leather, fiber
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
300 ms. The Metropolitan Museum of Art, Collection API (Open Access)
6 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 48 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Arganonä Maryam (The Organ of Mary) prayer book
Baselyos, also known as "The Ground Hornbill Master" (d. 1700)
late 17th century · Parchment, pigment ink, wood, leather, fiber
Cleared · Public Domain
live
The Virgin and Child with Saint Elizabeth and Saint John the Baptist
Anonymous
ca. 1650–1700 · Engraving; reverse copy
Cleared · Public Domain
live
Portrait of George Washington
Eleanor Parke Custis
ca. 1798 · Hollow-cut silhouette on linen
Cleared · Public Domain
live
Portrait of Martha Washington
Eleanor Parke Custis
ca. 1798 · Hollow-cut silhouette on linen
Cleared · Public Domain
live
Mater Dolorosa (Mourning Virgin)
Unrecorded maker
18th century · Wood with pigments, gilding, ivory and silver
Cleared · Public Domain
live![[Sculpture of Virgin and Child, Notre Dame, Paris] by Auguste Mestral, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP315547.jpg)
[Sculpture of Virgin and Child, Notre Dame, Paris]
Auguste Mestral (d. 1884)
1853–1854 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mourning of Christ, below the crucifix, held up by an angel at right, the Virgin Mary at center
Orazio de Santis (d. 1577)
1574 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin of the Immaculate Conception
James McArdell (d. 1765)
1746–65 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Negative silhouette of the Virgin Mary
Charlotte How (d. 1900)
1820–35 · Cut paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Negative silhouette of the Virgin Mary with a halo
Hattie Jones (d. 1915)
1865 · Cut paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eugene Field (1850–1895)
Mary Sully (d. 1963)
ca. 1920s–40s · Colored pencil, wax crayon, ink, and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.