
Mercury and Argus, copy in reverse after Cantarini
Simone Cantarini (d. 1648)
ca. 1630–48 or after · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
172 ms. The Metropolitan Museum of Art, Collection API (Open Access)
245 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 282 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mercury and Argus, copy in reverse after Cantarini
Simone Cantarini (d. 1648)
ca. 1630–48 or after · Etching
Cleared · Public Domain
live
Madonna and Child with a bird, copy in reverse
Simone Cantarini (d. 1648)
ca. 1635–36 or after · Etching
Cleared · Public Domain
live
Two young satyrs and a boy (copy in reverse)
Wenceslaus Hollar (d. 1677)
1647 · Etching and engraving
Cleared · Public Domain
live
Nessus and Dejanira
Francesco Fanelli (d. 1665)
possibly late 17th century · Bronze
Cleared · Public Domain
live
Four small boys and a goat (copy in reverse)
Wenceslaus Hollar (d. 1677)
17th century (?) · Etching
Cleared · Public Domain
live
Nessus Abducting Dejanira
Bertel Thorvaldsen (d. 1844)
modeled 1814–15, carved 1821–23 or 1826 · Marble
Cleared · Public Domain
live
Nessus Abducting Dejanira
Giuseppe Girometti (d. 1851)
ca. 1815–25 · Sardonyx, mounted in gold as a pendant
Cleared · Public Domain
live
Nessus and Dejanira
Giambologna (d. 1608)
modeled: early 17th century, cast: probably late 19th century · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Matthew and St. John (copy in reverse)
Sebald Beham (d. 1550)
1560 · Engraving; reverse copy
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nessus and Dejanira (copy in reverse)
Sebald Beham (d. 1550)
1600 · Engraving; reverse copy
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nessus and Dejanira (copy)
Sebald Beham (d. 1550)
1600 · Engraving; copy in reverse
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pan and Olympus, copy in reverse after Castiglione
Giovanni Benedetto Castiglione (Il Grechetto) (d. 1664)
ca. 1660–1700 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.