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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    172 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    245 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 282 matching records exist across the two collections.

Results for "Nessus and Dejanira (copy in reverse)"12 records

Institutions answered newest-first by record, interleaved

Mercury and Argus, copy in reverse after Cantarini by Simone Cantarini, The Metropolitan Museum of Art

Mercury and Argus, copy in reverse after Cantarini

Simone Cantarini (d. 1648)

ca. 1630–48 or after · Etching

Cleared · Public Domain

live
The MetSimilar
Madonna and Child with a bird, copy in reverse by Simone Cantarini, The Metropolitan Museum of Art

Madonna and Child with a bird, copy in reverse

Simone Cantarini (d. 1648)

ca. 1635–36 or after · Etching

Cleared · Public Domain

live
The MetSimilar
Two young satyrs and a boy (copy in reverse) by Wenceslaus Hollar, The Metropolitan Museum of Art

Two young satyrs and a boy (copy in reverse)

Wenceslaus Hollar (d. 1677)

1647 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Nessus and Dejanira by Francesco Fanelli, The Metropolitan Museum of Art

Nessus and Dejanira

Francesco Fanelli (d. 1665)

possibly late 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Four small boys and a goat (copy in reverse) by Wenceslaus Hollar, The Metropolitan Museum of Art

Four small boys and a goat (copy in reverse)

Wenceslaus Hollar (d. 1677)

17th century (?) · Etching

Cleared · Public Domain

live
The MetSimilar
Nessus Abducting Dejanira by Bertel Thorvaldsen, The Metropolitan Museum of Art

Nessus Abducting Dejanira

Bertel Thorvaldsen (d. 1844)

modeled 1814–15, carved 1821–23 or 1826 · Marble

Cleared · Public Domain

live
The MetSimilar
Nessus Abducting Dejanira by Giuseppe Girometti, The Metropolitan Museum of Art

Nessus Abducting Dejanira

Giuseppe Girometti (d. 1851)

ca. 1815–25 · Sardonyx, mounted in gold as a pendant

Cleared · Public Domain

live
The MetSimilar
Nessus and Dejanira by Giambologna, The Metropolitan Museum of Art

Nessus and Dejanira

Giambologna (d. 1608)

modeled: early 17th century, cast: probably late 19th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Matthew and St. John (copy in reverse)

Sebald Beham (d. 1550)

1560 · Engraving; reverse copy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nessus and Dejanira (copy in reverse)

Sebald Beham (d. 1550)

1600 · Engraving; reverse copy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nessus and Dejanira (copy)

Sebald Beham (d. 1550)

1600 · Engraving; copy in reverse

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pan and Olympus, copy in reverse after Castiglione

Giovanni Benedetto Castiglione (Il Grechetto) (d. 1664)

ca. 1660–1700 · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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