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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    251 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "New Actaeon, I surprised Diana, not in h"10 records

Institutions answered newest-first by record, interleaved

Watch by W.A., The Metropolitan Museum of Art

Watch

W.A.

1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Settee (canapé) (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Settee (canapé) (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Longcase astronomical regulator by Ferdinand Berthoud, The Metropolitan Museum of Art

Longcase astronomical regulator

Ferdinand Berthoud (d. 1807)

ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
As the new Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom, from "Little Miseries of Human Life" by J. J. Grandville, The Metropolitan Museum of Art

As the new Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom, from "Little Miseries of Human Life"

J. J. Grandville (d. 1847)

1843 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
New Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom, from "Little Miseries of Human Life" by J. J. Grandville, The Metropolitan Museum of Art

New Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom, from "Little Miseries of Human Life"

J. J. Grandville (d. 1847)

1843 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Well I Showed the Hun I'm a Son of a Gun! from Eggers comic cards (W607)

Unrecorded maker

ca. 1915–20 · Commercial color photolithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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