
Wilson, Branded Slave from New Orleans
Charles Paxson (d. 1869)
1863 · Albumen silver print from glass negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
196 ms. The Metropolitan Museum of Art, Collection API (Open Access)
471 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 921 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Wilson, Branded Slave from New Orleans
Charles Paxson (d. 1869)
1863 · Albumen silver print from glass negative
Cleared · Public Domain
live
Night Table
Herter Brothers (d. 1906)
ca. 1880 · Cherry
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Orleans Carnival; Advertising Extra
New Orleans Carnival (d. 1900)
1881
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Levee -- New Orleans
William Aiken Walker (d. 1921)
1884 · Lithograph, printed in oil colors
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Orleans Houses
Walker Evans (d. 1975)
1935 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Balcony, New Orleans
Lawrence Edward Kupferman (d. 1982)
1937 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New Orleans House]
Peter Sekaer (d. 1950)
ca. 1936 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Orleans Night
Georges L. Schreiber (d. 1977)
1939 · Watercolor and gouache over graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Orleans
Morris Henry Hobbs (d. 1967)
1943 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trolley—New Orleans
Robert Frank (d. 2019)
1955 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Orleans
Lee Friedlander (d. 9999)
1969, printed 1970s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Orleans Storyville: Ragtime Preparations
Romare Bearden (d. 1988)
1975 · Monotype with hand coloring
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.