
Tupu (pin)
Wari or Inca artist(s)
Before the 16th century · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
988 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 94 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tupu (pin)
Wari or Inca artist(s)
Before the 16th century · Silver
Cleared · Public Domain
live
Head of a Man in Profile Facing to the Left
Leonardo da Vinci (d. 1519)
1490–94 · Pen and brown ink, over soft black chalk
Cleared · Public Domain
live
The Adoration of the Magi
Correggio (Antonio Allegri) (d. 1534)
ca. 1517 · Red chalk, highlighted with white gouache
Cleared · Public Domain
live
Portrait of Sinan the Great
Dominicus Custos (d. 1612)
1595 · Engraving
Cleared · Public Domain
live
Seated Nude Young Man in Nearly Frontal View
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1618 · Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper
Cleared · Public Domain
live
Allegory of the Death of a Religious Man
Frans Francken II (d. 1642)
early 17th century · Pen and brown ink, brush and brown and blue ink
Cleared · Public Domain
live
New State Omnibus, or, The Man wot is Cad to the Man wot was Cad to the Man wot drove the Sovereign
John Doyle (d. 1868)
December 24, 1834 · Lithograph
Cleared · Public Domain
live
The Horses of Anahita or The Flight of Night
William Morris Hunt (d. 1879)
ca. 1848–50, cast by 1880 · Plaster, tinted
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scarab Inscribed with the Name Menkheperre (Thutmose III)
Unrecorded maker
ca. 1479–1200 BCE · Steatite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Boss State Carrier: Blaine – "Can't Carry New York eh – Well I Should Smile"
Thomas B. Worth (d. 1917)
1884 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure riding a quadruped
Dogon or Tellem blacksmith (?)
16th–19th century · Wood (Burseraceae family), applied organic materials
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacqueline Goddard
Man Ray (d. 1976)
1930 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.