
New Year Gift: Horse Trappings
Norman de Garis Davies (d. 1941)
1913; original ca. 1427–1396 BCE · Tempera on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
635 ms. The Metropolitan Museum of Art, Collection API (Open Access)
325 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

New Year Gift: Horse Trappings
Norman de Garis Davies (d. 1941)
1913; original ca. 1427–1396 BCE · Tempera on paper
Cleared · Public Domain
live
Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs (d. 1575)
ca. 1520 · Bronze, partially oil-gilt
Cleared · Public Domain
live
Allegory of Virtues and Vices at the Court of Charles V
Hans Daucher (d. 1538)
ca. 1522 · Honestone (Jurassic limestone), traces of gilding
Cleared · Public Domain
live
Trotting horse
Giambologna (d. 1608)
probably 1587–91 · Bronze
Cleared · Public Domain
live
Mercury and Cupid
Francesco Fanelli (d. 1665)
late 1630s · Bronze
Cleared · Public Domain
live
Pair-case watch
Thomas Tompion (d. 1713)
1682–83 · Outer case: leather with gold studs; inner case and dial: gold with blued-steel hands; movement: gilded brass, partly blued steel, silver
Cleared · Public Domain
live
Our Lady of Mercy, called “The Pilgrim of Quito”
Unknown
ca. 1730–40 · Oil and gold on canvas
Cleared · Public Domain
livePendant Icon with St. George and the Virgin and Child Enthroned
Northern or Central Highlands artist
18th century · Wood, pigment, metal hinge
Cleared · Public Domain
live
Table
Royal Porcelain Manufactory, Berlin (d. 9999)
ca. 1833–34 · Hard-paste porcelain, gilded bronze, and yellow metal; iron and wood as support materials
Cleared · Public Domain
live
Chêne dans les rochers à Fontainebleau
Gustave Le Gray (d. 1884)
1849–52 · Salted paper print from waxed-paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jean Monet (1867–1914) on His Horse Tricycle
Claude Monet (d. 1926)
1872 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grazing Horse
Xu Beihong (d. 1953)
dated 1932 · Hanging scroll; ink on bark paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.