Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    563 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 158 matching records exist across the two collections.

Results for "New York from Weehawk [The Wall View fro"11 records

Institutions answered newest-first by record, interleaved

A Perspective View of the City Hall in New York, Taken from Wall Street by Cornelius Tiebout, The Metropolitan Museum of Art

A Perspective View of the City Hall in New York, Taken from Wall Street

Cornelius Tiebout (d. 1832)

1791–93 · Hand-colored engraving and etching

Cleared · Public Domain

live
The MetSimilar
New York from Heights Near Brooklyn [The Wall View from Brooklyn] by John Hill, The Metropolitan Museum of Art

New York from Heights Near Brooklyn [The Wall View from Brooklyn]

John Hill (d. 1850)

1823 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
New York from the Heights near Brooklyn by William Guy Wall, The Metropolitan Museum of Art

New York from the Heights near Brooklyn

William Guy Wall (d. 1864)

ca. 1820–23 · Watercolor and graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar
New York from Weehawk by William Guy Wall, The Metropolitan Museum of Art

New York from Weehawk

William Guy Wall (d. 1864)

ca. 1820–23 · Watercolor and graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York from the Heights Near Brooklyn [The Wall View from Brooklyn]

John Hill (d. 1850)

1823 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York from the Heights Near Brooklyn [The Wall View from Brooklyn]

John Hill (d. 1850)

1823 · Hand-colored etching and aquatint; third state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York from Weehawk [The Wall View from Weehawken]

John Hill (d. 1850)

1823 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Street Views No. 2 – Wall Street, from the New York Mirror

William Hoogland (d. 1832)

ca. 1830 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York from Weehawk

J. White (d. 1800)

ca. 1840 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trinity Church from Wall Street, New York

Anonymous, American, 19th century (d. 1900)

ca. 1870 · Etching on oriental paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wall and Nassau Sts. from New York City miniature souvenir views (W500)

Unrecorded maker

ca. 1925–30 · Commercial photolithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.