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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1305 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Ngya (commemorative post)"11 records

Institutions answered newest-first by record, interleaved

Pair of casters by Paul de Lamerie, The Metropolitan Museum of Art

Pair of casters

Paul de Lamerie (d. 1751)

1733–34 · Silver

Cleared · Public Domain

live
The MetSimilar
Set of four casters by Paul de Lamerie, The Metropolitan Museum of Art

Set of four casters

Paul de Lamerie (d. 1751)

1733–34 · Silver

Cleared · Public Domain

live
The MetSimilar
The Expulsion of the Jesuits by Gabriel de Saint-Aubin, The Metropolitan Museum of Art

The Expulsion of the Jesuits

Gabriel de Saint-Aubin (d. 1780)

1761 · Etching, first state

Cleared · Public Domain

live
The MetSimilar
Memorial head by Akan artist, The Metropolitan Museum of Art

Memorial head

Akan artist

18th century · Terracotta, post-fired slip(?)

Cleared · Public Domain

live
The MetSimilar
Portrait of Charles Meryon by Félix Bracquemond, The Metropolitan Museum of Art

Portrait of Charles Meryon

Félix Bracquemond (d. 1914)

1853 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Firescreen by John La Farge, The Metropolitan Museum of Art

Firescreen

John La Farge (d. 1910)

1884 · Leaded opalescent glass, brass

Cleared · Public Domain

live
The MetSimilar
Seated binukedine ( priest) by Dogon blacksmith, The Metropolitan Museum of Art

Seated binukedine ( priest)

Dogon blacksmith

18th–19th century · Wood, iron

Cleared · Public Domain

live
The MetSimilar
Finial of a Buddhist Monk’s Staff (Shakujō) by an unrecorded maker, The Metropolitan Museum of Art

Finial of a Buddhist Monk’s Staff (Shakujō)

Unrecorded maker

1898 · Bronze

Cleared · Public Domain

live
The MetSimilar
Ngya (commemorative post) by Bongo artist, The Metropolitan Museum of Art

Ngya (commemorative post)

Bongo artist

late 19th century · Mahogany

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bowl

George Ridout (d. 1751)

ca. 1748 · Silver

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Qajar Gold-Damascened Steel Fruits

Unrecorded maker

dated 1325 AH/1907–1908 CE · Steel; damascened with gold

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.