Scenes of Witchcraft: Night
Salvator Rosa (d. 1673)
c. 1645–49 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
338 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 11 matching records exist across the two collections.
Results for "Night Creatures"10 records
Institutions answered newest-first by record, interleaved
The creatures of the sea are asked by the king of the Ocean to take a message to the Brahman, from a Tuti-nama (Tales of a Parrot): Eleventh Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The monkey advises the suspicious lion to cast off fear and take possession of his territory, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Carved Vessel
Unrecorded maker
c. 600–1000 · Ceramic, earthenware
Cleared · CC0
liveCleveland Museum of ArtSimilar
The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The prince, a son of the ruler of Sistan, enters the service of a snake, from a Tuti-nama (Tales of a Parrot): Thirty-seventh Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Parinirvana of the Buddha
Unrecorded maker
c. 1710s · Print, color woodblock print
Cleared · CC0
liveCleveland Museum of ArtSimilar
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
Fazl
1616–17 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.