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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    551 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    372 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 3,607 matching records exist across the two collections.

Results for "Nineveh and Its Remains: With an Account"12 records

Institutions answered newest-first by record, interleaved

Nineveh and Its Remains: With an Account of a Visit to the Chaldæan Christians of Kurdistan, and the Yezidis, or Devil Worshippers; and an Inquiry into the Manners and Arts of the Ancient Assyrians by an unrecorded maker, The Metropolitan Museum of Art

Nineveh and Its Remains: With an Account of a Visit to the Chaldæan Christians of Kurdistan, and the Yezidis, or Devil Worshippers; and an Inquiry into the Manners and Arts of the Ancient Assyrians

Unrecorded maker

1849 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar
The Monuments of Nineveh by an unrecorded maker, The Metropolitan Museum of Art

The Monuments of Nineveh

Unrecorded maker

1849 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar
Nineveh and Persepolis: An Historical Sketch of Ancient Assyria and Persia with an Account of the Recent Discoveries in Those Countries by an unrecorded maker, The Metropolitan Museum of Art

Nineveh and Persepolis: An Historical Sketch of Ancient Assyria and Persia with an Account of the Recent Discoveries in Those Countries

Unrecorded maker

1850 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar
A Second Series of the Monuments of Nineveh by an unrecorded maker, The Metropolitan Museum of Art

A Second Series of the Monuments of Nineveh

Unrecorded maker

1853 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar
Discoveries in the Ruins of Nineveh and Babylon, with Travels in Armenia, Kurdistan and the Desert by an unrecorded maker, The Metropolitan Museum of Art

Discoveries in the Ruins of Nineveh and Babylon, with Travels in Armenia, Kurdistan and the Desert

Unrecorded maker

1853 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar
Assyrian Discoveries: An Account of Explorations and Discoveries on the Site of Nineveh during 1873 and 1874 by an unrecorded maker, The Metropolitan Museum of Art

Assyrian Discoveries: An Account of Explorations and Discoveries on the Site of Nineveh during 1873 and 1874

Unrecorded maker

1875 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar
Brooch with Assyrian divine archer in a winged disc by an unrecorded maker, The Metropolitan Museum of Art

Brooch with Assyrian divine archer in a winged disc

Unrecorded maker

ca. 1870 · Gold, glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hieratic Ostracon with work account

Unrecorded maker

ca. 1300–1080 BCE · Limestone, ink, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Impartial History of the Present War in America, Vol. I

Reverend James Murray (d. 1782)

1778–80 · Illustrations: engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Impartial History of the Present War in America, Vol. II

Reverend James Murray (d. 1782)

1778–80 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plans, Elevations, Sections, Details, and Views, of the Magnificent Chapel of King Henry the Seventh, at Westminster Abbey Church; with The History of its Foundation, and an Authentic Account of its Restauration.

Lewis Nockalls Cottingham (d. 1847)

1822 · Illustrations: lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ruins of Pompeii. A Series of Eighteen Photographic Views. With an Account of the Destruction of the City, and a Description of the Most Interesting Remains

Giorgio Sommer (d. 1914)

1860s · Albumen silver prints

In copyright

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The MetSimilar

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