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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    212 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    263 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,045 matching records exist across the two collections.

Results for "No Hang Out Here"12 records

Institutions answered newest-first by record, interleaved

Two-Handled Amphora by an unrecorded maker, The Metropolitan Museum of Art

Two-Handled Amphora

Unrecorded maker

30 BCE–364 CE · Faience

Cleared · Public Domain

live
The MetSimilar
Winter (Fuyu), from the series Fashionable Amusements of the Four Seasons (Fūryū shiki no asobi) by Isoda Koryūsai, The Metropolitan Museum of Art

Winter (Fuyu), from the series Fashionable Amusements of the Four Seasons (Fūryū shiki no asobi)

Isoda Koryūsai (d. 1790)

ca. 1770–72 (Meiwa 7–An’ei 1) · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Actor Segawa Kikunojō III as Wappa no Kikuō in a Woman’s “Asahina Armor Pulling” (Asahina no kusazuri-biki) Scene by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The Actor Segawa Kikunojō III as Wappa no Kikuō in a Woman’s “Asahina Armor Pulling” (Asahina no kusazuri-biki) Scene

Katsukawa Shunshō　勝川春章 (d. 1792)

1780 (An’ei 9), 1st month · Left sheet of a diptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Drop-leaf Dining Table by an unrecorded maker, The Metropolitan Museum of Art

Drop-leaf Dining Table

Unrecorded maker

1750–90 · Walnut, white oak, yellow pine, maple

Cleared · Public Domain

live
The MetSimilar
Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1810 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Hudson (No. 13 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

Hudson (No. 13 of The Hudson River Portfolio)

John Hill (d. 1850)

1825 · Aquatint printed in color with hand-coloring; first state of two (Koke)

Cleared · Public Domain

live
The MetSimilar
Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts (from "Harper's Weekly," Vol. 5, no. 238, cover) by Winslow Homer, The Metropolitan Museum of Art

Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts (from "Harper's Weekly," Vol. 5, no. 238, cover)

Winslow Homer (d. 1910)

July 20, 1861 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Mission of the Apostles, from "Illustrated London News" by William Luson Thomas, The Metropolitan Museum of Art

The Mission of the Apostles, from "Illustrated London News"

William Luson Thomas (d. 1900)

October 30, 1865 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Monte Sant'Angelo from the Villa Auriemma near Sorrento

August Lucas (d. 1863)

1832 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Breaking up of the "Agamemnon," No. I

Sir Francis Seymour Haden (d. 1910)

1870 · Etching and drypoint (counterproof); trial proof a (Harrington); second state of eleven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Credit "Played Out"

John Cameron (d. 1896)

1871 · Lithograph, mounted to linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

No Hang Out Here

Bill Arnold (d. 9999)

1972 · Microfilm reader/printer machine print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.