
Black Warrior (No. 18)
John James Audubon (d. 1851)
1830 · Print
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
425 ms. The Metropolitan Museum of Art, Collection API (Open Access)
447 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,298 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Black Warrior (No. 18)
John James Audubon (d. 1851)
1830 · Print
Cleared · Public Domain
live
Statuette of a Serving Girl
Unrecorded maker
c. 1323–1186 BCE · Sculpture, terracotta, originally painted
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Close, No. 18, Saltmarket, Old Glasgow
Thomas Annan (d. 1887)
1868–71 · Carbon print
In copyright
live
Coffin of Bakenmut
Unrecorded maker
c. 1000–900 BCE · Funerary Equipment, gessoed and painted sycamore fig
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Victoria No. 18
T. Peters and Sons (d. 1890)
ca. 1830–70 · In plate
In copyright
live
Coffin of Bakenmut
Unrecorded maker
c. 1000–900 BCE · Funerary Equipment, gessoed and painted sycamore fig
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Camera Work, No. 18
Alfred Stieglitz (d. 1946)
April 1907 · Printed book with photogravure illustrations.
In copyright
live
Coffin of Bakenmut (lid)
Unrecorded maker
c. 1000–900 BCE · Funerary Equipment, gessoed and painted sycamore fig
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude No. 18
Irving Penn (d. 2009)
1949–50, printed 1949–50 · Gelatin silver print
In copyright
live
And His House is on Fire, Plate 18
Francisco de Goya (d. 1828)
1799 (printed c. 1855) · Print, etching and aquatint
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harold Brown Esq: "No.18"
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
No. 18
Léo Marchutz (d. 1976)
ca. 1930–60 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.