Les Visites, Musée Grotesque, No. 21
Anonymous, French, 19th century (d. 1900)
early 19th century · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
344 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
368 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 991 matching records exist across the two collections.
Results for "No. 21"12 records
Institutions answered newest-first by record, interleaved
Coffin of Bakenmut
Unrecorded maker
c. 1000–900 BCE · Funerary Equipment, gessoed and painted sycamore fig
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copies for panel painting, No. 21
Louis Prang & Co. (d. 1950)
19th century
In copyright
liveThe MetSimilar
Coffin of Bakenmut
Unrecorded maker
c. 1000–900 BCE · Funerary Equipment, gessoed and painted sycamore fig
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Camera Work, No. 21
Alfred Stieglitz (d. 1946)
January 1908 · Printed book with photogravure illustrations.
In copyright
liveThe MetSimilar
Coffin of Bakenmut (lid)
Unrecorded maker
c. 1000–900 BCE · Funerary Equipment, gessoed and painted sycamore fig
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Catalogue No. 21 Silver Plated Hollowware
International Silver Company (d. 9999)
1915–20 · Illustrations: photomechanical process
In copyright
liveThe MetSimilar
Ornament from Sitio Conte: Animal Pendant(?)
Unrecorded maker
c. 400–900 · Jewelry, manatee bone
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lapwing, No. 21
Eric Fitch Daglish (d. 1964)
1920–42 · Wood engraving
In copyright
liveThe MetSimilar
Ear Spool
Unrecorded maker
c. 400–900 · Metalwork, hammered gold
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Organization No. 21
John Sennhauser (d. 1978)
1942 · Opaque glossy paint and watercolor over graphite on leather
In copyright
liveThe MetSimilar
Various Subjects Drawn from Life and on Stone: Entrance to Adelphi Wharf
Théodore Géricault (d. 1824)
1821 · Print, lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.